The Two-fold Courtesy to Cooking
As a very young woman with a keen
love of cooking and breaking bread with family and friends, a sheet of paper
came into my possession on which was written something by Rumi’s cook. In it he
spoke about the two-fold courtesy towards food. It struck a chord deep within
me - for being an instinctive cook, it mirrored an awareness that I had
unconsciously been bringing to my cooking - and still do though now more consciously.
The first courtesy, he wrote, is the
courtesy towards the food ingredients themselves, for through the process of
preparing and cooking you are giving the raw materials the chance to become
part of a higher order of being – to transform from the vegetable or animal to
the human. And in Islamic cosmology there is no higher being created that
inhabits this dimension, the world of the Seen. Notwithstanding the complaint
voiced by the angels when Allah informs them that He is to create a steward on
earth and they object, knowing full well the bloodshed and destruction we would wreak, the potential lies within each of us to become consciously godly,
refined souls, contented and self-realized.
The second is the courtesy towards
those for whom you are preparing the food, for you are helping to nourish and
sustain them in this process of living life and awakening. Thus cooking can be considered a
sacred act, a foundational alchemy for enabling humans to reach their full
potential – after all, 'you are what you
eat'.
For years I had observed the
meticulousness with which my Danish mother used to prepare our meals,
organized, clean and tasty repasts of Danish, European and Iraqi dishes. I had
participated in the abundant and loving chaos generated by my Arab paternal
grandmother as she stuffed vegetables (Dolma) or made a delicious marga.
After I was married I learned even more about Cooking
with Presence from my mother-in-law. Khala-jan's Indian cuisine was the
refined UP (Uttar Pradesh) variety, more Mughal and Persian influenced than the southern, more coco-nutty states.
She would always approach her cooking in a state of wudu', incanting 'bismillahi
'r-rahmani 'r-rahim' over every stir of the pot or addition of an
ingredient, and would extract whole and powdered spices from her cupboard with
the confidence and glee of a culinary sorcerer. Nothing would please her more
than to have her food appreciated and lips licked with satiety, and indeed
nothing still does so at the ripe old age of 83!
As an instinctive cook, I mostly allow
the ingredients to 'speak' to me. They tell me what to do with them. Does
anyone else converse with their food? I recall my grandmother good humouredly making
kissing sounds at her pot of freshly made yoghurt, in the hopes of getting it
to set well, always a gamble in cold weather. She'd then wrap it up in blankets
and place it near the Aga or in a closet. The climate I live in now makes
home-made yoghurt a foolproof enterprise. I don't so much rely on kiss-coaxing
the lactobaccilli into a happy state of fermentation as on my housekeeper's
wonderful trick of whipping in the starter with a whisk for a good few minutes
before leaving it aside to set. This helps to break up the thick cream
molecules of the fresh buffalo milk we get and reduces the creamy thickness of
the crust, the mouthfeel of which I don't particularly like.
I love it when the experience of
cooking becomes a meditative act. Surely this is how it is meant to be – not some
daily drudgery. Losing yourself in the crunchy slicing of crisp Chinese
Cabbage, inhaling the green scents of freshly chopped dill, coriander or mint,
boiling chickpeas in anticipation of a pleasing softness suitable for hummous
or chaat, working butter through flour to achieve a light pȃte
sucrée as an honourable base for a seasonal fruit tart. I love the comforting
sauna humidity of a kitchen filled with the steamy exhalations of a simmering stock
pot, the chocolaty aromas given off by Boston brownies when they are just done, the elevating perfumes of saffron or rosewater as they waft off rice or
milk pudding. From the washing of the ingredients, to the prepping, to the
actual cooking and finally the serving, it’s a delight to forget oneself in the
very process. As I work with intention, ingredient and process, my self is set aside, a new mode of beingness arises that is alive, creative and fun. Sheer alchemy!
Naturally, it’s not always
possible to have the luxury of conditions congenial to a nirvana ecstasy of aashpazi, but if that is how cooking is experienced
on a regular basis, then one will never stray far from good results. Having
cooked with presence, you can easily find your way back to that state, like building a muscle and finding it ready to regain its tone after a little neglect.
Now, after this purple paean to
cooking, read the next blog for a simple soul-food recipe for an easy to prepare
savoury snack that’s become awfully popular among my friends. You’ve been asking
me for the recipe: check the next blogpost! Noosh-e Joon!
Glossary:
Dolma: vegetables
like onions, bell peppers, tomatoes, onions, aubergines and young marrows
excavated and stuffed with rice, herbs, meat, spices and other ingredients.
Marga: Iraqi
word for stew or dish with gravy (MS Arabic: Marqah or maraq)
Wudu’: Islamic
ritual ablution which consecrates one for prayer.
Bismillahi’r-rahmani’r-rahim: In the Name of Allah, the Beneficent, the Merciful.
Hummous:
ubiquitous chickpea paté, often made with the addition of tahini, sesame seed
paste.
Chaat: Indo-Pak
‘salad’ of chickpeas, onions, tomatoes, coriander, green chillis and with
dressing of tamarind and/or yoghurt.
Pȃte sucrée: Sweet pastry
Aashpazi: Persian
for cooking.
Noosh-e Joon: Bon appétit.
Cooking in wudhu is vital to concentrate that extra-special spark of energy in the food that raises it above standard fare.
ReplyDeleteSubhanallah! It never ceases to amaze me how purity in approach can bring grace and taste to the humblest of ingredients.
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